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José García Y Más

   

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Portrait
There’S No Escape by José García Y Más
Most appreciated work
Apocalypse II by José García Y Más
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 Account type BASIC - Free
 Subscribed since Feb 22, 2009 at 02:49pm
 Profile viewed by members 261 times
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 Overall creations seen 49414 times
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 Followed by 11 persons [ Who? ]
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 Artist José García Y Más
 Gender Male
 Age 66 years old
 Status Professional painter
 City Seebad Bansin (Insel Usedom)
 Country Germany
 Influence René Magritte, Francis Bacon ...
 Site http://www.mas-art.de
 Alternate site http://www.artbreak.com/José%20García%20y%20Más
 Information José García y Más was born in 1945 in Santa Cruz de la Palma on the Canary Islands, Spain, and studied at the Escuela de Bellas Artes in Santa Cruz de Tenerife. When he was 18 years old, he worked in the engine room of a Norwegian petroleum tanker, which took him around the African continent. In 1970 he then exchanged the unloved Franco regime for the young German democracy and finally moved to Berlin, where he took a degree in Engineering. Since 1980, he has pursued an independent career as an artist, undertaking various study trips to Sweden, England, Italy, and Spain. He and his wife now live and work on the Island of Usedom in the Baltic Sea.

Although global policy plays a very important part in his world view, García y Más is not a political painter in any narrow sense. His pictures deal with contemporary issues, often in a satirical mode, and need to be ‘read’ with insight. His painting “The Lion Tamers” (1985) – a striking example of his political expression - now hangs in the permanent exhibition “A Walk Through Two Thousand Years of German History” in the Deutsches Historisches Museum (German Historical Museum) in Berlin.

His figurative, strongly linear compositions have their roots in Pittura Metafisica and Surrealism, thus forging a link with Giorgio de Chirico and René Magritte. Yet, the focus of his critical-realistic artwork is rather more on the problematic social and political issues of the day; the point is made by means of alienation, irony and wit, often in a macabre and even sardonic manner. From his earthy, powerful yet cool ‘valeurs’ and his detailed compositions abounding in figures, García y Más turns in his oil paintings to an increasingly intense and radiant use of colour with a poster-like intensity. This determines the scenario of his canvases, which is now restricted to a few essential figures.

Public collections:

• DIN Deutsches Institut für Normung eV
(German Institute for Standardization), Berlin
• Deutsches Historisches Museum (German Historical Museum), Berlin
• Museum of the MacLaurin Trust, Rozelle/Ayr (Scotland)
• Haus der Geschichte der Bundesrepublik Deutschland
(House of the History of the Federal Republic of Germany), Bonn
• Town Hall of Wolgast


Exhibitions:

Berlin, Copenhagen (Denmark), Graz (Austria), Anklam, Greifswald and Rostock, Munich, Rozelle/Ayr (Scotland), Island of Usedom (Baltic Sea).

Latest creationslatest creations

Bertolt Brecht And The War Victims by José García Y MásFranz Kafka by José García Y MásThe Firebird by José García Y Más

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